Gore films are not renowned for their talented casts, and MURDER-SET-PIECES is no different. The running time is so padded out with scenes of attractive women shackled and screaming for their lives (without ever having been introduced into the film prior to this), that whenever Jade's story does progress we no longer really care.
Writer/director Nick Palumbo has trod similar ground before, with his debut NUTBAG - so he should have been able to spin his yarn a little smoother this time (indeed, this film was originally going to be called NUTBAG 2). but the film seems to leap from one scene to the next with little continuity, and no regard for whatever just happened on screen seconds earlier. Whether it be a problem with the editing, I'm not sure. You never have to wait long for the next sadistic scene of dementia to assualt your senses - making MURDER-SET-PIECES in many ways the gorehound's wet dream.īut even the most hardened blood freak will surely want some kind of comprehensible plot to follow, and MURDER-SET-PIECES - despite the aforementioned thin premise - manages to make a mess of it's storytelling. So, in that respect, the film is very quickly paced. Whatever "story" there is merely serves as a springboard from one gore scene to the next. MURDER-SET-PIECES is just that - 90 minutes of film that exists almost entirely without a plot. When Charlotte goes missing, Jade's suspicion of the boyfriend is heightened and she decides to investigate further. He stares menacingly at her and her school friend, discusses women's periods round the dinner table and speaks proudly of his grandfather's close friendship with Hitler. Jade is creeped out by the photographer, but cannot seem to persuade Charlotte of her ill feelings towards him. In-between all of this madness, the killer finds time to enjoy an on-off relationship with hairdresser Charlotte (Valerie Baber, EMMANUELLE VS DRACULA), much to the distaste of her younger sister, Jade (Jade Risser, SINISTER). Invariably the photographer then ends up shagging the stunning lasses, occasionally anally raping them but always ending the night by torturing and slaying the luckless femmes in brutal fashion. Once the girls have agreed to pose for the unnamed lensman, he takes them back to his plush house and down into his cellar, where he coaxes them to get naked (with alarming ease, it must be said). The man in question is "The Photographer" (Sven Garrett, NIGHT SHIFT) - an Arayan guy based in Las Vegas, posing as a fashion photographer always on the hunt for gorgeous young girls to shoot. The silhouette of a muscle-bound, naked man approaches the woman and hisses some Germanic obscenity at her. The film cuts to show us what the lens is focusing on - a naked, bloodied woman strapped to a torture chair, wimpering pathetically.
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Tells the story of a fashion photographer whose vocation is murder. Click Here To Start Watching Murder-Set-Pieces